Surely it is not art. She pulls her phone from her pocket and steps to the stage. Her first time. Tapping the screen, she balances it on the ancient music stand. Grips the mic with both hands. Through ums and mumbles, she describes a man who called it love before the girl learned the proper name for abuse.
Surely this is not poetry, nowhere close to art.
Art you know. You saw Gipsy Kings at the Barns and walked Kusama’s Infinity Mirrors at the Hirshhorn. You can recite Mary Oliver’s “Wild Geese” by heart.
Down here, sand slips free from the shape
it took since last rain,
a low creek creeping up the bank
sloughing away any illusion of permanence.
The soft, fat hide of the earth glistens, catching the stray glint
and tossing it back, wild and wide.
Something buried in the thawing deep
scratches away at its carapace.
I press my spine against the old skin
willing it to split even though it is early still,
even though it will leave me raw,
Another frost sure to come.
Picture the vines creeping from his collar.
The stem snaking.
The petal pink and thick as a human ear unfurling from the place his cheek should be.
Pollen-pouched bees yellowing as they gather
what he was always bound to become.
What comes next.
This is our revenge.
Those of us he mounts to build the crystal barricade,
its pearled locks and curtains
thin as whispers and thick
as what stands between dimensions.
He designed it all to let in the curated glow
and keep out everything that makes the light.
Knee deep in it. Gold like sable, like suede.
Like the silk edge of the blanket that held infant you.
A mermaid’s tail, the otter’s fur slipping past
and churning against your calf
a strand of stars and all the fire they contain,
the heat they release.
At your feet this river
Until her dying day, Georgia O’Keefe fought against the notion
that her flowers resemble sexy ladyparts. Too silly. Titillating.
Diminishing that lovely stroke to the hungry scratchings of a beast in heat.
There is no end to pleasure. Our flesh, how its tastes change.
You barely pause to wonder how we end up in the garden. Crepe-skinned crones in sun hats, we busy ourselves with one of the few benign industries left to us in our diminished worlds. We cannot captain the ships, you reason. Cannot write the laws. We must see life backward now as our children and their children take the keys and set the route.
In your haste to cover the stretch of highway still spooling out ahead, you don’t waste attention on what occupies the roadside. We bend there, indistinguishable from scarecrows. From garden gnomes. It stands to reason (if anyone were to ask) that we surrender to these tiny corners of the world. Our puttering a last gasp at creation. Bygone artists, barren makers. Do you see us deflating into bodies long past their use-by date? Do you see us at all?
Invisibility is a curse for certain, though one we have a hand in casting.