Growing Up, Poetry, Things I Can

75. Things I Can Lay Down: A Nest under Sky

From the dining table of a rich absent landlord,
from a rooftop tilting over
screaming streets,
from the hide of a man
whose soft fangs belie
battles he claims
as the source of his scars,
I plucked splinters
and locks of discarded hair.

I was ravenous
even for hollow breath
echoing against a bare wooden
belly. Strings cut flesh to callous
and every song clanged
like paper against my hunger.
I tried to pry frets
from the neck. I tried to harvest
spider legs.

A sign was necessary. A silver
ring or maybe a strip
of fur curling on the tip
of a thorn. I walked
not away. Something else.
Out.

Towards.

Under
a canopy of sumac, bent like a crooked
house, I passed
through to the first division
and pressed petals
back into their seed.
I swaddled my thighs
in creek water. I bled
into moss.

I lay down a bed like a bow
to the half open moon.
The voice I used to call
up the shape of a home in the sky
Goodnight you moonlight ladies
was the same lunatic jabber
of coyotes coursing through folds
in a mist forever closing
between us.

I wake now to the face of a frozen sun,
my bones young and brittle, hung
with crystal globes and gloved
in frost. I glitter like grass
and shatter in the light. Blowing
out from a depression
in the earth shaped like someone
exhumed,
I catch a full spectrum
of morning

in each one
of my birth’s hundred
billion prisms
every time
I refuse
to die.

 

Poetry, Things I Can

71. Things I Can Let Be: Spider Brother

Fine as needles and just as quick.
But for the ants, the broom,
I say, yet the company is welcome
such as it is. A beating heart
of any size, really.

Silence outmanned Eros
and he left for the second time
today. The dog paws at the patio door,
bends her head
and tries to peel back
with her teeth the intractable pane
on which a cousin clings.
This one is fatter by degrees,
brown as the wilting marigold
stems where it tatted lace
bedclothes and sampled
from the all-you-can-eat breakfast buffet
mosquitoes, midges, mites.
To the dog, this one is meat.

She eschews shadows
inside where domestic kin live,
whole families of them,
behind the woodpile, under the toy bin,
tucked below the lip
of the bathroom cabinet
where my bare toes
trouble their determined stillness.

She pivots and tries again to press
through glass. I understand
this fascination with the promise
waiting outside, even if that promise
has better things to do
than wait
or be a promise
at all.
 

Home, Poetry, Things I Can

61. Things I Can Add: Music Room

piano keys

The piano may join us
in this corner we call the dining nook
where our family that is two
keeps a bucket
filled with markers and pens
next to the salt
shaker. When we move again
the table and sofa
remaking our one room
into the many we covet
this becomes the sitting
place and the piano
will be doing that already.
It can stay. A song now
glitches on a hand-me-down
laptop. These machines age
in dog years. The choice
is between upgrading or losing
one lyric after another
to the exponential rise
of force X point O.

Option C is none here,
the above too poor an excuse
for music. It is hardly a maker, 1s and Os
whipping in packs along circuitry
delivering a canned calliope, midway
carousel operating
by remote.

I also want to be new
as if mounting the horse with fresh
paint might offer a ride somewhere
other than where I started
as if I am the lucky one. You are young
enough to believe capacitive touch
means building with light. Still at the table,
you are angry that screens are not invited here
and I lift my wrists in an extended rest, too few
fingers for the chord
my angers weave.

The piano may make us
play the old music
as if for the first time. One note
yours. One note, mine.

All together now.

Soon we will trade these keys for those,
string the hammered
steel tight across wooden belly and let heavy
dampered echoes reach
between us, press down,
tumbling our separate weights
into a sound only four hands
can make. Like us, the instrument
will have to share
this room of a dozen uses. It will join us
at our sharp corners.

You empty your glass. The wall here
is the color of leaves, or maybe one leaf
of blank sheet music. We each draw
a marker from the bucket. The first lines
decide everything.

 

Fitness, Poetry, Things I Can

54. Things I Can Pamper: This Flagging Frame

It is 10 minutes past 10 on the first night of summer. The boy is asleep. The dryer bumps and tumbles, smoothing our wardrobe for the trip ahead.

The computer at work is powered off for the week. Tasks huddle in their restive limbo behind that dark office door.

Here, crumbs dust the counter.
Free weights squat in the corner.
A story cocoons between silent covers.

This body is so weary.

Rain came then went again. On the dark balcony, pepper leaves sip at the sky. Petals curl into sleep.

Tonight, for once,
I turn from the eternally unfinished
everything.

I turn off the light.

At long last, sleep draws closed the curtains
and tucks me into her blue
furred throat.
 

 

Choices, Poetry, Things I Can

50. Things I Can Flip: The Switch

light switch

He says, me too.
When it’s bad, I think
if I could see the switch
that ends
everything
I’d be tempted
except it is too far
to reach,
even just there
across the room.

Thank god volition
is a casualty
of depression.

I say
When it’s bad, I think
if I could see the switch
that lifts me
up,
I’d ignore it.

In fact, I do.
Every day.
Every time.

Right now.

And suddenly I know it
the way a lost song
pours across the tongue,
this wave a fluorescence entirely
untwinned from the flickering bulbs
that share its name:
Light. It urges
shadow from corner
and washes it into a chiaroscuro
of truss and beam
which takes the weight
I carry. A simple trade:
one stone
for each step.

The switch is an utter failure
at playing hide-and-seek.
I close my eyes and count
to 20 and it says
I’m right here
So I press my hands into my face
and count past a hundred and it says
Still here
so I thread the blindfold
from eardrum to throat
and knot it twice
inside my skull
then begin to number
each tomb and each bone

and still it lays itself
across my feet and says
Here.

Right here.

It is inches
or less from my skin
no matter how I pivot, it stays.
It only asks I feel
for sash, pane
keys, chord
gust, leaf. Asks I open
voice,
thicket,
hasp,
wing.

The switch is a loaded spring
plugged everywhere
to everything.

When it’s bad,
a gesture
as tiny as a twitch
can make it good.

I guess I’m getting up,
I say. I’m ready to move.

He says
Me too.

Mindfulness, Poetry, Things I Can

20. Things I Can Close: My Eyes

Snake Oils:

Fret about it
Complain about it
Excavate the underlying cause
Make another promise
this one, really
Mop the house
Dial the number
Detail the feeling
Eat
Facebook
Sidestep the feeling
Itemize the failings
File the taxes
Register for classes
Rearrange the closet
Rewrite the resume
Revise the story
Make soup
Start sourdough
Start seeds
Regret the follies
Rehearse the maybes
Cry
Run
Gaze up
Stroke the dog
Squeeze the kid
Write on a blog
Disappear into
Page
Body
Voice
Breath
(No
Not even breath)
.

It may take months
trying every tincture
to ease a tired
so deep it
leaches marrow from bone,
thins tissue
to husk
shedding away from the once wet
core,
years even
to absorb
the stripped bare
lesson.

It is the single
remaining
vial
the message a fortune
as maddening
and true now as it was
in infancy
as it always only ever was.

The only cure for exhaustion
is unbroken silent eight-hour potion-free
rooted deep held in night’s
annihilating arms
sleep.