The piano may join us
in this corner we call the dining nook
where our family that is two
keeps a bucket
filled with markers and pens
next to the salt
shaker. When we move again
the table and sofa
remaking our one room
into the many we covet
this becomes the sitting
place and the piano
will be doing that already.
It can stay. A song now
glitches on a hand-me-down
laptop. These machines age
in dog years. The choice
is between upgrading or losing
one lyric after another
to the exponential rise
of force X point O.
Option C is none here,
the above too poor an excuse
for music. It is hardly a maker, 1s and Os
whipping in packs along circuitry
delivering a canned calliope, midway
carousel operating
by remote.
I also want to be new
as if mounting the horse with fresh
paint might offer a ride somewhere
other than where I started
as if I am the lucky one. You are young
enough to believe capacitive touch
means building with light. Still at the table,
you are angry that screens are not invited here
and I lift my wrists in an extended rest, too few
fingers for the chord
my angers weave.
The piano may make us
play the old music
as if for the first time. One note
yours. One note, mine.
All together now.
Soon we will trade these keys for those,
string the hammered
steel tight across wooden belly and let heavy
dampered echoes reach
between us, press down,
tumbling our separate weights
into a sound only four hands
can make. Like us, the instrument
will have to share
this room of a dozen uses. It will join us
at our sharp corners.
You empty your glass. The wall here
is the color of leaves, or maybe one leaf
of blank sheet music. We each draw
a marker from the bucket. The first lines
decide everything.
Shannon E. Williams 