body, growth, Outdoors, spirit

The Digger’s Mirth

moss woman

There is no end to pleasure. Our flesh, how its tastes change.

You barely pause to wonder how we end up in the garden. Crepe-skinned crones in sun hats, we busy ourselves with one of the few benign industries left to us in our diminished worlds. We cannot captain the ships, you reason. Cannot write the laws. We must see life backward now as our children and their children take the keys and set the route.

In your haste to cover the stretch of highway still spooling out ahead, you don’t waste attention on what occupies the roadside. We bend there, indistinguishable from scarecrows. From garden gnomes. It stands to reason (if anyone were to ask) that we surrender to these tiny corners of the world. Our puttering a last gasp at creation. Bygone artists, barren makers. Do you see us deflating into bodies long past their use-by date? Do you see us at all?

Invisibility is a curse for certain, though one we have a hand in casting.

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community, growth, Home, spirit

The Reach of Our Light

montreal botanical woman 3

Like many neighbors doing their part to urge in spring, my son and I spend our weekend morning transplanting seedlings. Our task is to thin the herd. We approach this work with an unspoken awareness of the terrible, lovely power we possess. We get to decide which of these fragile things have their chance to carry on in larger containers, and which will return to beginnings.

My son with his still unbroken optimism rejects this as a false choice. He scrounges around the kitchen for used water bottles then saws off the tops and drill holes in the bottoms. Bringing them into the dining room where garden debris litters the table and floor, he paws through the dirt for discarded seedlings. We move as many wisps of roots as we can to their more capacious, though still temporary, homes.

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Living in the Moment, Mindfulness, Writing

This Quiet Plot

Suzie Seitz

Silence is the absence of sound. That is where we start. Then we hear what’s left when a bow lifts from its string, the reverberation humming across window glass and skimming over curved iron rails. Even after it dissipates, sound remains. We cross a bridge from memory to the note that arrives next, if any. This is not a certainty.

The lift carries us. The resonance in our own blood rides over when the bow releases it from its string. The arm lifting belongs to the song. Muscles move the arm. Breath fuels muscle. Pulse syncopates with breath.

Player, instrument, audience, the hollow belly of night. Nothing is silent. Inside the ear, a river rushes. Even in the dark, even alone, we sleep on its roaring banks.

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Growing Up, Home

Plant Anyway

corn shucking.jpg

He  drops his backpack by the door and heads out. Whether the temperature hovers at freezing or rises to a swelter, he and his friends find each other. Sometimes I block the way and steer him back to his violin for a round of scales. The neighborhood kids bang on the door every three minutes, “Is he done yet?” They loop around the breezeway on bikes and scooters. A few come up barely past my knee. A few are already shaving. When he’s free, they all charge off down the hill, hollering ever-changing rules to an ever-evolving game that winds through this labyrinth of stairwells and parking lots.

I shut the door and head to the kitchen to rinse out the lunch containers.

Divorced at 37 and still single at 43, parenting a surly tween, stuck in the suburbs, jammed into a 5-story development abutting a freeway, and working a desk job for a paycheck that barely covers groceries while a white supremacist and a Russian oligarch run the White House.

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Brain, Mindfulness, Purpose

Add In the Good Stuff

fairy pot

When we stop trying to find the solution, the solution finds us.  The idea of “adding in the good stuff” is all the rage healthy living.  Don’t worry about giving up cheese fries and soda.  The pull of the food industry is powerful, and fighting it grinds our sense of efficacy down to sawdust.  Instead, do a few leg lifts while brushing teeth.  Put leafy greens beside whatever else is on the plate.  Keep the focus on adding the wholesome.

This same bubbly counsel showed up in a recent parenting class.  When an attendee began slipping down the shame spiral about their ineffective parenting, the instructor reminded us not to worry about what we’re doing wrong.  “Do more of the good stuff,” she said.  Put special time on the schedule.  Focus on connection over correction.

Eventually (the theory goes) these little bits of goodness will crowd out the destructive patterns.

If this works with diet and family, why not mental health?

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Change, Determination, Mindfulness

Water, Light

garden woman

Deadheading flowers will encourage more blooms on flowering plants. The normal goal of a plant is to flower, set seeds and die. Since we want them to continue to set flowers. . . we want to discourage flowers from setting seed. Deadheading the flower as it expires will redirect the plants energy from setting seed to creating more blooms. Additionally, keeping your plants free of dying material will discourage disease and allow more parts of your plant to receive sunlight.


From Cedar Circle Farm organic farmstand and education center

Someday I will live where I can garden naked. For now I make do with stepping out onto the balcony at daybreak, damp from a shower and dressed in enough to mask my skin’s craving.

July’s rain is nothing to its glare.  A geranium in its pink pot drinks up half the jug without draining a drop. Everyone is thirsty.

A spider bobs on filament above a mess of thyme. Every time my clumsy elbows tear loose her spun walls, she rebuilds.  I take care to duck under her strands but she knows better than to trust me.  She skitters to the safety of the railing, her back an arrow of malachite flashing through a mica shield.

The thyme has tangled itself into the rosemary.  Both started from seed two years ago.  Now they are a wild fury.  Winter buried their leggy stems, spring drowned them in pools of choked mud, and now summer burns them raw. As determined as their spider neighbor, they go on.  New strands unfurl sometime in the night.  When sun steams open the sky, tiny leaves press towards light.  They grow even when the only sustenance is a stolen sip from morning’s turgid heat.   Even left forgotten in the corner, they climb out of their barren beds and peel open their seams to free a thin, bristling marrow.

The marigolds and petunias perched up in boxes have curled in and darkened. I deadhead the withered, closing my fingertips gently around each base and letting the dry tissue fall free. It is more of a coax than a tug.  Picking blackberries requires the same light touch.  The ripe ones slip loose.  Any that resist are left to darken their bite to sugar.

Ample rain and sun have kept these blossoms in a state of perpetual return. They begin even as they end.  The petunias are tricky this way.  Bud or compost?  At a glance, it’s hard to know which are closed for good and which are waiting to open.  The only way to tell is with a tiny stroke, just enough for the purple fullness to lay its pulse against the skin. The gesture is almost imperceptible.  Does it fold itself over and surrender to its end?  Or does it flex and hold inside its cocoon of flesh?   Touch has no influence on the dormant thing, only on me.  Its signal sounds through cell, through our common organelles, that it is bud and not corpse.  I let go and step back.  Somewhere deep in its furred sepal it clings to the threads of its root, churning sustenance into the shape of itself, murmuring, here, I am here, don’t rush me, I’ll know when it’s time to wake up.


Image: “Earth Goddess” from a 2013 exhibition at the Atlanta Botanical Gardens by Mosaïcultures Internationales de Montréal