Children, Growing Up, Love

Overboard

Slow-Swinging Sea
He stirs as I tiptoe past. It was the quietest of midnight bathroom visits, but sensing proximity, he surfaces. The butterfly nightlight gilds the unfurling comma of his body. He mumbles and I bend down close. Is this just a ripple as he passes beneath or is it a call up to his divemaster in the waking world?

“I had a nightmare.” A moan chokes the almost-whisper, tears bubble under the almost-plea. He asks still sometimes. More frequently now, he turns into himself and finds uneasy comfort in his approaching PCS.

He reaches for me from the small bed we’ve tucked into a nook in my room. For one night, this night, he is here. I must remember what I so easily forget: Tonight is the only night.

The only guarantee is this.

When does it go? Does the wind change, do we get any warning at all? The story has its own arc and rarely does it show mercy to the players.

Our neighbor died last week. Every day, he walked his goofy dog named Mulligan. Every day, he beamed out a smile. So many of us here lock our gazes on the ground as we stride headlong across the face of the day, but he spared a moment for a hello.

We rode the bus together to the metro in the mornings. This summer, along with his tattooed son, intermittent daughter-in-law, and 5-year-old grandson, he went camping in Minnesota. We rode together then too, taking bus to metro, the clan lugging duffel bags and airline tickets. He came back with sunburned cheeks.

The tattooed son walks Mulligan now. He smiles and says hello just like his dad did. Mulligan wags and sniffs and strains at his leash, doing the same.

In the great green room, there was a telephone, and a red balloon.

When was the last time we read aloud the book we used to know by heart? Who can call up the final Sweet Baby James?

Tonight is the only night.

Tomorrow, my boy will sleep in another place. Behind a closed door, in a dorm room, alongside his troubled lover. He will rest on the shore of the cove he’s found following his own songlines. He’ll plunge into caves that crack open in his private sea floor. He’ll battle the Leviathan that has fed on his leaked blood and whispers.

I sit down on the carpet next to him. Our dog is curled into a ball on a tattered wool blanket on the other side of me. She is a soft pulse, a shuddering exhale. I stroke my son’s hair, its tangled gold, its damp heat. He sighs. Then he touches my arm and pulls it down across his middle. Turning, he tucks me in under him, extending my reach, strapping my slender weight across him like a harness. I lay may cheek against the warm place his head left on the pillow. His discarded breath is my oxygen. His scent, my surf.

Soon he is rhythm and release. When his grip relaxes, I plant a kiss his slack cheek then roll away.

It is deep night and I am so very tired.

I fall into the passing current of sleep, drafting in the slipstream of my son’s swift descent.

Image credit: Asleep in the Arms of the Slow-Swinging Sea by Ruby Levick

Children, Creativity

Cornsilk and Cloak

vampire intense
Karate class runs late and we stumble through the door 30 minutes before bedtime. Homework still needs attention, as do dinner and shower and lunches for tomorrow. It is into this briar patch of demands that Bug announces he’s changed his mind.

“I do want to wear a costume to the Monster Bash.” Continue reading “Cornsilk and Cloak”

Parenting, Poetry

Tin Man

Chain and door lock

He is a knot
lashed to a lock
hasp snapped tight
as lips.
Planting himself at the edge of the room
he holds fast to the border
between thrust and withdrawal, steel bars clamped
across his chest.
Silence thuds out from the footing
where he has sunk
his fury
and pulses
through the planks of the floor.

It is impossible to know what someone else feels.
I know exactly what he feels.
The vise grip jaw is mine
writ small. The iced chassis, his
unfortunate inheritance.
I approach with a voice of WD40, the thin straw
laying a bead across the distance between us.
It takes its time leaching in along the thread
of his coil, feeling for tumblers
and any hint of give. I fold my arms
like the mouth of a spaniel
around him and trust in the unctuous
persistence of my proximity
until his grip slips loose
enough to push free.
 

Art, Creativity

Sugar Spun

Chef and Chicken

When you peel a peach, there’s a color right beneath the peach skin that’s hidden except for that very moment. It’s like there are all these little secrets moments in kitchen, and if you don’t pay attention to that, you’re missing so much in life.

“In the Kitchen with Ruth Reichl,” New York Times, September 15, 2015

Safeway, as it happens, stocks every color of Jello except blue. The big package I bought earlier at Target should have been enough but half of it ended up on the wrong side of the saran wrap and the rest of it on the floor. The last thing I want to do is visit yet another store. As I stand here in the baking aisle, the kitchen’s engine idles. I can feel its thrum as it waits for my return.

I toss the unflavored Knox into my basket and hold out hope that I can find my stash of food coloring from last year.

Unpacking my groceries at home, I root around in the back of the cabinet and unearth the stained box. I’m relieved to discover the blue tube has a few drops left in it. This leaves me now with the small issue of taste — something I had rather avoided dealing with at the store. Continue reading “Sugar Spun”

Career, Determination, Learning, Things I Can

100. Things I Can Captain: This Boat, These Waters

mother child at sea

It’s taken two years to get here. I’ve skirted the edges of this reckoning so long I know every stitch in its hem. Now I sit in front of a screen, a calculator, and a pile of paperwork to ask the question straight out.

Can we make it on my salary?

I asked the same question back in 2012 when the house hunt began. The answer was a definitive “no.” Buying this home was a hard push into a choppy sea. I did the full assessment then and knew that my income would fall short. To cover our expenses over the long haul, I’d need to earn more. Continue reading “100. Things I Can Captain: This Boat, These Waters”

Growing Up, Learning, Things I Can

98. Things I Can Follow: His Opening Play

ice bridge card
Three triangles adorn his shirt, each framing a fairy wizard holding a sword of light. He passes behind the man carrying in a cardboard box of 20 chicken nuggets and a tub of soda. Bellies and waifs, long necks and hoodies, scruff and Adams apples. One wears a cowboy hat, several slouch under baseball caps, one comes banging in through the glass door in a full-length black trench coat.

At first the chatter deafens as it ricochets off linoleum and drywall. Cards are shuffling and chairs are scraping and players peer over shoulders at plastic-sheathed pages in stacks of three-ring binders.

“You don’t want your Shambling to run into a Foul-Tongue.”

“I got a foil ruler. I hope someone finds a way for that card to be good.”

The one with tight curls and meaty limbs is in charge. He strides through the pack, surprisingly nimble for a man so large. His orders boom out and the chatter quiets. “Modern and Standard, you’re at tables 1-12. Your pairings are posted by the thermostat.” A stir, a rush. The rest jostle for space by the door. Backpacks droop from shoulders. Darting eyes, laughing eyes, eyes that focus entirely in the fan of cards in hand. Playing mats unfurl — rubber-backed masterpieces painted with purple volcanoes or lush forests or distant flashing battles.

“Draft, you are at tables 13 up to 25. You have 50 minutes to build a 40-card deck.” Groans, chuckles. They rip open the mylar sleeves, they peer in and assess options. The room is now murmur and hush.

My boy with his surfer hair is focused with an intensity I only see when he’s facing a screen. This child can barely sit still for homework without slumping into an Oscar-worthy posture of exhaustion. Now he is perched on the lip of his chair, silent and poised for action.

When something is hard, he whines and pouts. “It’s so boring.” Then he gives up. When a new skill is just beyond his reach, he says, “I don’t like it.” Then gives up. The suggestion of a new project — “Hey, let’s go to Michael’s and get that cool glass etching kit we saw at the party!” — leads him first to take measure of the gap between what he knows and the work required. The shortest span is a bridge too far.

He gives up.

Then we are here, and everything I thought I knew about my kid’s relationship with motivation turns inside-out.

An hour passes. Then another 30 minutes. And another.

Bug only just learned about Magic the Gathering from other 8-year-old boys at camp this summer. I bought him his first cards a few weeks ago. He plays a bit with kids at school, but they make up their own game. To do otherwise is daunting. The beginner rule book for simple play contains passages like this:
 

An enchantment represents a stable magical manifestation. This means two things: you can cast one only at the time you could cast a sorcery, and after you cast one, you’ll put it on the table in front of you, near your lands. . . Some enchantments are Auras. An Aura enters the battlefield attached to a permanent and affects that permanent while it’s on the battlefield. If the enchanted permanent leaves the battlefield, the Aura is put into its owner’s graveyard.

These “basic” rules cover 36 pages. The more comprehensive guide runs to 207.

I mill around in the shop next door to the gaming annex. So many people have turned out that they’ve set up yet another long table in the middle of the store. Through their turns, the players mutter and evaluate.

“Demon’s grasp, killed the first three preachers.”

“Amaria? You’re running something new in Modern? I didn’t realize.”

“I ran Squadron Hawk for a while.”

The volume begins to rise. People razz each other, knock back Mountain Dew, stomp in out of the rainy night.

“I have too many spells in my deck!”

“And I’m all like, ‘fuck that guy.'”

“Hey, language!”

“Yeah, language, dude.”

“Sorry. Hey I’m zombie-ing my way out the door.”

It’s nearing 11pm. We’ve been here since 7:20. I walk back into the annex with the firm intention of gathering Bug up and hustling him out. It’s hours past his bedtime, and tomorrow is going to be a battle. He is seated across from a guy that looks like half the engineering undergrads at my university. “I don’t know,” the young man says, spreading his hands wide with a smirk and a shrug. “What are you gonna play?”

“Oh yeah,” laughs Bug. “It’s my turn.”

Next to him, the pink-haired player — one of only three women out of the 70 attendees — glances over and grins at my boy. She is looking up a rule, tracing her chrome-tipped finger across the face of her phone.

Bug slaps a card face-up on the table. He and his opponent lean in to study it. The man rolls a many-sided die and it tumbles across the padded mat.

I take a seat nearby and start sketching in my journal.

Beyond the rudimentary components of the cards and their procedures, the game’s Multiverse involves a level of intricacy that would make Tolkein proud.
 

The Blind Eternities are a chaotic, logic-defying place of quasi-existence filled with raw potential called Æther. Only Planeswalkers can survive there, and only for a limited time. Mortal beings without the Planeswalker spark are soon destroyed by raw entropy and uncontained mana that suffuses the Blind Eternities.

It’s some heady stuff. The minimum recommended age is 13.

Yet here is my boy, just days before his 9th birthday, stepping over the border into this labyrinthine world. He peers out across that canyon between what he knows and the skills required.

He takes its measure.

He decides.

One knot, one board, one play at a time, he begins building his bridge. 

Living in the Moment, Outdoors, Things I Can

97. Things I Can Redraw: The Boundary Lines

resistance

I remember to look up. The reason I remember is because I have been so busy looking down.

Down, yes, but looking as in actually seeing.

Vision is an unexpected discovery, like a forgotten scent stirring in a place of dead things. Like yesterday when I caught myself singing as I ironed my purple shirt for work. I’m gonna let it shine. . . The silvery thread of music startled me to a shiver.

My song. Still here. My sight. Always, again.

I have been looking down and so noticed for the first time the thick ropes of roots pushing up the sidewalk. This is why I’ve stopped and let my gaze slide up the gnarled skin, up and up into the turning leaves.

“What?” Bug says. He almost plows into me. Then he too peers skyward. Cars rip past us on the clogged road. His is an all-wheel-drive school. Walking is forbidden because keeping the children a safe distance from these thin-lipped, texting, whiplash drivers trumps community concerns about obesity levels and global temperatures.

It’s rare these days that this stretched-to-splitting mama has the guts or gas to rebel. Oh, but it is a tasty little thrill when she does. Because sometimes we have to step right out in front of absurdity. Sometimes we even have to let it run us down. How else do we keep the winners from winning it all?

Once in a while when the train arrives two minutes early or the traffic parts like the biblical sea two blocks from my neighborhood, a gash opens in the choking press of late hurry go more go hurry late. It is a bright gust, it is mountaintop air.

It is opportunity.

I get to flout that stupidest of stupid policies.

I get to walk.

And here we are doing exactly that. Bug is wearing his backpack and his first sweatshirt of fall. I’m wearing my Wellies. Hurricane Joaquin in bearing down on us and we are taking the slow route home.

We gaze up together.

“Have you ever noticed how big this tree is?” I ask.

He considers it. “Big how?”

“Look at these roots. The whole sidewalk is a hill. It’s growing right under us.” We nudge our toes at the knobby knees pressing through concrete. “It probably goes all the way across the road.”

Bug lifts his gaze again to the towering branches far above. “It would be hard to climb.” We circle around it and take in the grade of the sloping grass. Then he peers across the grounds of the hulking telecom sales center that abuts our neighborhood. “That one.” He points to a drooping, naked thing with one arm. “That’s a good climbing tree.”

We cut across, striding right through the chain of “No Trespassing” signs. Bug tosses his backpack on the soaked ground and gives me a sly grin. “You first.”

I consider my twinged back, the slick bark, a throbbing current of sleep deprivation. Oh, the warm couch waiting. Then I shrug. “Okay.”

I shimmy and slide, hooking my knee over a knot and swinging myself up. Bug tries but his shoes keep slipping. He peels off his sweatshirt and ties it around the trunk. “If it’s dry, maybe I can get up.” This is an imperfect plan. After his third try, he leaves the jersey limp and tethered like an abandoned prisoner. He races off towards another stand of trees. “That one!” He cries and leaves me to collect our things.

Inside a sheltering arc of boughs he ranks them, 1-2-3, from easiest to hardest. I go first again, contorting my limbs to fit. I haul my mass onto a branch and perch there under a damp canopy. He gets partway up too before we both sort of spill off. I laugh and show him my hands. Mud has worked its way deep in. Laugh line, love line, all in bold. He holds up his grimy palm and I give him a high five.

Near our heads dangles a bulbous seed cluster we notice now for the first time. From tumorous, split husks gleam half a dozen cherry-red zombie eyes. They look like they might actually blink. We step back and decide to forgo a deeper investigation.

As we circle the parking lot for the shortcut home, I glance up again. “If the hurricane does come, we may lose all these leaves before they even change.”

Bug kicks at some that have fallen. He stops at the edge of a cracked tree whose branches on one side are entirely bare. The other side is draped in rust foliage.

“The rain is coming,” he says.

“How do you know?”

“Feel that,” he says. “There’s a gust.” He lifts his face. I do the same.

“It’s darker too,” I say. “Storm dark.” We both watch the steel sky churn.

“Whenever there’s a gust, it rains,” he tells me. “The rain is probably like 30 seconds to 5 minutes away.”

“We’d better get home quick.”

“Okay,” he says. “And we can make a fire and wait for the flood.”

Image from the Cheap Art collection of the Bread and Puppet theater in Glover, Vermont

Children, Family, Things I Can

90. Things I Can Keep: My Promise

Bedtime Story

 
We climb into bed at 7:45pm for the sole purpose of extra cuddles. After two chapters in the thawing forest of Narnia, I close the book and tuck myself around him. He scoots over and pulls my arm around his middle. We slip into our rhythm. Light and steady, whisper and pulse, we course along the curl of our twin spines like water smoothing a riverbank. He sighs and goes still. It is barely 8:30 and my boy breathes softly in my arms.


Image: Elizabeth Shippen Green, Five Little Pigs, illustration for “Mistress of the House” (1905)

Family, Home, Mindfulness, Things I Can

84. Things I Can Snap: The Family Photo

. . . and they found a certain contentment, living more or less happily ever after, which is what “now” is while one’s in it.

From Robert Coover’s “The Frog Prince”

I lay flat on the stained carpet, felled by a muscle spasm with diamond-tipped talons. My boy, stung pink with sun, is sprawled across a twist of sheets and pillows. He has been complaining about a stomach ache. “I just don’t feel good,” he keeps repeating while he looks at me with a mix of longing and irritation.

Beside us, Noodle mopes in her crate. All the pacing and fussing and nosing  to spur one of us to action had the opposite effect, and now she sighs heavily and frequently while staring right at us.

A pillow props up my knees up and I grit my teeth against waves of pain as I read. We’ve just begun The Lion, the Witch, and the Wardrobe, which we’ve inexplicably overlooked during the previous eight years of literary peregrination. Bug sips from a cup of seltzer water and kicks the blanket further down the bed.

Right in the middle of Edmund’s box of Turkish Delight, Bug turns and reaches across me. Scootching his hand under my shoulder, he inches me closer to his mattress. Then he leans in and plants a slow, soft kiss on my cheek. I see a smile ease loose across his face as he lets me go and flops back onto his bed.

“It’s all three of us right here,” he says. “Wouldn’t this be a perfect family portrait?”

I put my finger in the page, close the book against my chest, and look around.

My boy, the dog, a home, this night.

One story, one kiss.

Our perfect family.

 

Children, Family, Learning, Things I Can

80. Things I Can Clear: A Place for Him

Ewe and Lamb

He likes daddy’s house better. “I get to be in the same room,” he says.

I like sleep better. So here, he has his own room. He is almost nine, and still, he begs for me to stay. He pulls me in after books and cuddles, “Just one more hug,” he pleads. “Just one more minute.”

On weekends, he tries all over again. “We can go to sleep in your room tonight, right?”

No. I tell him again, no. Not this night. No every night, two years of no in this house, eight years of no in this life. No, mama needs to sleep alone. No, Mama has trouble resting when she shares the bed. Mama is a monster who trips into a churning, troubled cauldron of demons night after night after night after night. Any chance this mama has of sleeping soundly, she’ll protect with all her might. Even if this means earplugs, eye masks, a bolted door, a lonely son.

No.

Then suddenly, my boy wakes with the dawn and pads into my room. Hair wild and eyes gummed with dreams, he crawls into my bed and folds himself into the warm pocket of comfort around me.

Gangly, humongous, heavy as stones.

A boy? My boy?

I feel the height and weight of him, the crackling and waking up of every surging cell in him.

My boy is finished being small.

Forever.

From here, he only grows up. Out, older, taller, away. He grows into himself.

How much longer will he want to be so close?

How many chances do I have to be his home?

His longing for nighttime company is more than a craving, more than a passing interest. Beyond the clutchy acquisitiveness children have for Pokemon cards and pizza nights and winning at Stratego, this hunger is something deeper. Primal even.

Every time he begs and cries for me, every time in all of his eight years, he is asking to feel bound up in something, to feel tethered to place and kin.

In the purest form of humanness — mammal and existential alike — he needs to be held.

Now, in this quickly closing chapter of his life, I can be the one who holds him. This web I weave around him — alternately flimsy and rugged — tightens into the vault from which he launches the man he will become.

This web I weave around him — alternately capacious and secure — sinters into the vault in which he stores the stars and wounds and whispers that he gathers along the way.

Tonight I decide: We will find a way to climb in close together. Close, so he can worm his way deep into the heart of the comfort he needs. Close, so I can protect my precious sleep and still love my boy the way he wants to be loved.

Tonight, I ask: “Do you want to make a nook in my room?”

He stares, checking my face for tricks. Then his spreads into a grin and he actually shivers with delight.

In record time, he finishes dinner, stacks dishes, helps walk the dog, and lops nearly 20 minutes off bath time. Then we plop ourselves on the floor of my room. The rack of toy bins in the corner needs to go.

“Okay,” he says picking up a matchbox car. “Donate.” He tosses it in a bucket.

“Easter bunny ears?” I ask.

“Trash,” he says.

We go like this. Legos, mardi gras beads, pirate eye patches. Toss, donate, keep. The box of trinkets he wants to hold onto is far emptier than I imagined. The toys are meaningless. What he wants is the absence of them. What he wants is the treasure their departure promises.

By bedtime, we’ve done it all. Vacuumed, dragged in extra mattress, unfurled sheets. He carries in a stack of books to line the windowsill, fetches the lamp with its denim shade. He keeps smiling at me. Smiling and smiling. “It’s so comfortable,” he beams, settling himself into a heap of red and turquoise linens. “Want to come try it?”

I bring my pillow and cuddle up in his nest. We are tucked into an alcove under the window across from where my big-girl bed lives. Bug can look right into Noodle’s crate. A few moments later, she tip-taps in and sniffs around the new setup, talks at us, then heads over and curls into a ball on her blanket.

Bug thrums with sleepy rightness, with a satisfaction rare in his bull-headed, only-child world.

He sighs and rests a damp head on my hip. “Put your arm around me,” he says. “All the way across.” He draws my hand over his chest, slips it into the fold between his torso and the blanket. In my other hand, I hold Cornelia Funke’s Thief Lord and pick up where we left off last night. The conniving Barbarossa has spun backwards on a carousel and toppled out as a toddler, while Scipio — wounded and obstinate — has chosen to careen past adolescence and emerge as a man.

We stumble towards infancy and whatever comes before. We surge towards dying and the end we refuse to imagine. On either side of us, these memories, these wishes, they stretch like corridors lined with swords and feather beds, disappearing into dark. When fortune spits us out against unforgiving walls, when moments choose us before we have a say, we carry our soft landings with us. We bear our own rending.

For our children, we dull what blades we can.

Even when they are certain they are done needing us, we tuck beneath them a pallet of silken rope and down.

We hold them anyway.
 

Image from “The Nursery,” March 1881.