Choices, Relationships

Choice Words

We must appreciate the power of redescribing, the power of language to make new and different things possible and important — an appreciation which becomes possible only when one’s aim becomes an expanding repertoire of alternative descriptions rather than The One Right Description.

Richard Rorty, Contingency, Irony, and Solidarity

You ask the color of my day.
I ask where will we go.
You say when we are old.
I say you show me this.
You ask what is exciting.
I ask which words
you want to hear instead.

The shadow question could steal
in. Does sometimes
voice
into form, flesh
into golem. Why are you so
Wrong with
Don’t you see
See why you don’t?

Yes is a synaptic response
to stiumli and also
a stimulus itself, an anatomy
not unlike that of
Can’t
and Will.

It is a fallacy
of misplaced concreteness
to claim we are
this way
or even that we are.

You and I are not us.
We make us.

I say this
(touch you here)
is why I do.

You ask what we choose.
I ask what will it take.
 

Change, Choices

Keep Moving

Anxiety is love’s greatest killer… It makes others feel as you might when a drowning man holds on to you. You want to save him but you know he will strangle you with his panic.

Anais Nin, February 1947

It is when the air tilts. The ground splits open. You tip over the edge of the only map you have and don’t know if you will land, let alone where. It happens thousands of times in a life. If you are willing, you could find yourself there as many times in a day.

To keep moving when no way is clear and every choice uncertain is at the heart of mortality and motherhood, of art and work and love.

 

Choices

Wind like a Whetted Knife

I must go down to the seas again, for the call of the running tide
Is a wild call and a clear call that may not be denied

from Sea Fever by John Masefield

In the dream, I lean over the bow. Something doesn’t fit. The water is too distant and the progress slow and I feel landlocked. Maybe the ship is smaller than my wandering feet. Maybe it’s bigger than anything I could possibly steer.

Or it isn’t wrong at all and I am just too impulsive for my own good.

In any event, I jump.

And then I am plunging into an upside-down and roiling sea. Momentum carries me further in than I had anticipated and deeper than is safe. Kicking hard up, up, my lungs try to wring the last bit of air from that last scanty breath. Light wobbles. With a surge, I break the surface just as the white plates of a looming hull flash past. This angle resolves all distortions from my upper deck perch. They don’t call them cruise ships for nothing. Keel slices water. Spume and churn.

Uh oh.

Did I think I could go out for a dip and then just mosey back on board? Did I bother to scan the horizon for some other fitting shore?

Did I figure I’d grow gills?

Is it too late for a do-over?

Hollering is useless. My voice bounces across waves and ricochets off the unblinking steel scales. Now the only thing is to swim harder than ever before on the slim chance of closing the growing distance. If I make it (and that’s a mighty big If), then what? The slick walls offer no peg, no crack.

Defeat has no voice here. With every stroke, I force behind my eyes an image of a handhold and a body still surging with the strength to climb.

I have exactly one shot.

Questions boil in my waterlogged throat:

Is he the ship or is he the ocean?

Which is courage?

Which is home?
 

Choices, Determination, Poetry

Dear Old One

You’ve been so near
for so long
your imprint
shaping the bed that
you are the bed
now where I plant my feet. Roots
snarl along spring and vein,
deeper still into shale pressed so
it has no room to flake
apart and reveal its face
upon face upon face.

I’ve stayed here where you hold me
down claiming tether
against weightlessness. A shaft
of sun warmed this place
once. Branches long since thickened
close arthritic around that narrow frame
sealing shut the last dust-streaked pane
and I’ve lived so here
for so long
closeness
shading the bed that
I am the shade
now
trying to nurse
up from you the sustenance required
to lift
free
but the feeding
goes one way
only. Down
you churn salt and pulse
through my marrow your vital
mix. I am conductor
of a symphony
you fold
and chew
to silence.

What you eat:
Gifts
and the wrapping. Steps
and doorjambs, jawbones, tissue paper
hearts. Arcs, eggs,
ink, god,
match
tips, wings,
risk.
You eat smoke right out of the flame.
You eat the eye
of the hurricane. You eat tides
flat. You swallow
the sky.

When I twist my ankle and begin to shiver
loose, I know you
will send plagues. I know you
will chew off
both my feet. I know you
don’t know
how many crumbs of light
I’ve tucked into the nest
under my tongue
or how many miles
I can crawl
on splinters
and scars until I learn to
fly.
 

Choices, Creativity, Divorce

Post Box

“You have to go the way your blood beats. If you don’t live the only life you have, you won’t live some other life, you won’t live any life at all.”

– James Baldwin

I’m not married to him now.
I remember these things.
He could weave string into bracelets. Yarn into pouches. He picked up discarded wrappers and curled them and knotted them and made them into chains.

When he asked me to marry him, he brought out the ring in a box he had made from paper tucked in on itself.

He is not my husband now. I remember these things.

The soil of my own life was restive in my hands. Its thrum vexed me. It was so pliable. So insistent. It offered no clues yet demanded everything of me. As if some larval creature moved through it, the contours kept changing. I would press my fingers in halfway but pull back, plugging the divot before it had a chance to drill open a corridor in me I was unprepared to claim. I could not – would not – choose a manner of shaping, let alone the shape itself.

My very own life in my very own hands. I was confounded.

Potter, sculptor, bricklayer, farmer. Technical skill is just the beginning, all hammers and season, chisels and heat. The other work is the inversion of craft. Abstruse. Intangible. Vision? Call? It is the sense of shape before shape. It is a moment of conception in stop-action. The mind must coil around the shimmer and foam and draw from-in-with it, frame by frame, a creation splitting into its own origin.

Here is art. Here is courage.

Skill marries imagination in a painstaking process. It requires coaxing that inner membrane out, out to reside within the material at hand. Slipping. Adjusting. Aptitude falling short. Hands seeking the next nuance, the next skill to call that thing into being. And the thing, the virtual life, when it meets tool and clay, shivers without permission into forms no one ever imagined. It slips into sync with the material world as much in spite of the artisan as because of her.

This was me, holding a pulsing handful of wing and seed and licorice root, warming the rank, luscious matter that cannot be created or destroyed but is always only changing form. This was me without any idea which of the six dozen flitting shapes in my mind it might take. This was me, seeking an instruction manual. A trail marker. A sorcerer for whom I could apprentice.

He offered me a tiny folded box. It fit in my palm.

I learned to knit while we were married. A bucket of bamboo needles. Yarn by the mile. A haberdashery of hats and scarves and ill-fitting slippers.
I squirmed on the sofa. I ignored the ache. I forced my gaze to zero in on the next stitch in the pattern.
This was me, making something with my hands.
At last. Something.
This was me, turning fairytale outside-in. Deaf to the clatter of limb against wall. Surrendering to threads biting fingers, ankles, throat. Hewing my own Gepetto out of fine-grained evasion and then feeding him my lines.

My son grew into the oversized hats then grew right out of them.

The man I married looped ribbon into lanyard. He did this, as all things, without haste.
I took up those strings. I practiced those boxes. I pulled and folded.
I pretended they were mine. I wanted them to be mine. His paper box fit in my hand. His cellophane chains fit my wrists.
My fingers ached. Below me, the fecund earth roiled. I stilled the urge to plunge.

In the winters, our house, whichever one in whichever time zone, was edged in white-gold lights. He laced every corner. He installed timers at the outlets. I walked through the dark mountain frost on those blue-black nights. Miles from any town, the only cloud brushing that carpet of stars was the one I alone breathed.
I followed the bend until our house appeared on the hill. My cloud found its kin. A fire there. Odd relief: the communion of breath with ash, the shared obscuring of depth.
A ribbon of smoke, a runway of light. A place to land. The home we made.
I imagined it was ours and that I was an equal part of the Us who created it.
Our marriage. Our son. Our Christmas. Our hearth.
A rectangle of lights framed the door. A square of lights outlined the window.
Strings of light made boxes of light made chains to grip in the direction of travel.
Always, the urge to plunge. Did I admit that it was almost as strong as the one that pulled me back? Almost. Not enough.
It could have been.
Down to the creek, the glassed stone, the trout slipping down low. A canopy of mist kissing the water’s quaking skin. Somewhere near, the bald eagle in its nest. A screech on the hillside. The towering stone, the natural bridge, the dirt road twisting down and away. Down from light. Away from the frame, the flame, that steady glow.

Almost.
My son in there. I went home. Always.
Until I couldn’t.

Now, I am making the Christmas that a good mom should. My son and I drape aquamarine garland from the doorframes. We follow lines scratched deep in the vinyl.

The sound is tinny. Grainy. There is dirt in the grooves. Weeds push up through the cracks. Seeds rupture. Their dogged tendrils erode the smooth edge.

Something unfurls in the air here. It is not pine. It is not mulling spices.
Carapace and decay. Bud and birth.

The Christmas I make is my penance.
Yet no one is demanding it. No one has handed me an invoice or called me before jury.
Peers don’t speak their judgments aloud. Not now. They have their own failings to answer for.
The man who was my husband is not holding a yardstick. He never was.
The box fit in my palm. The box fits all of him. Of course it does. It is his. It always was.

The man who is not my husband still has the Christmas stocking from his childhood and he takes it with him every year no matter where he ends up on December 24. He makes sure our son’s stocking is wherever our son will be on December 24. The stocking goes back and forth like a lunch box.
Like our son.

The tree twinkles. Gifts are piled in heaps that brush the low boughs. Cards wend their way around the globe.
The season squeezes. The strings pinch but no one is here to pull them. No one but me.
I find a spade. The dulled blade is still sharp enough to split threads. To crack floorboards. To pierce ice and soil and root.

In these moments when my son is with his father, I marinate in disquiet. I look around the home we are making and see the places where we spill from the corners. The dining room table is a hard-hat zone of paint and pennies and half-written poems in calligraphy ink. The empty floor of the living room yawns wide and pulls me to dance under low lights. I write. I pace. I wander out into the night with the dog and turn my bare face to winter sky.

Christmas is changing shape. Everything is.

The material comprising the ground under my own feet still puzzles me. Frightens me. Yet this terrain I inhabit, both alone and with my son, is all I’ve got.

This is me closing my eyes and seeking the shape preceding shape. I follow its source. I feel its beat and match my pulse to that throb.

I bend. I reach.

This is me.
Plunging.
 

Choices, Family

Keep Stirring

When you heat the sugar and butter, you have to keep the temperature low. Never stop stirring. This means either working backwards or having a helper handy. Ideally both. When it is time for the vanilla, you will not be digging in the cabinet for it, unless you like your caramel smoked. The candy thermometer will become goopy and steamed, the phone will ring, and you will remember you forgot to butter the pan. Do not turn around. Whoever is on the other end cannot chop the pecans for you, and that person has already bought Christmas cupcakes for her kid’s class.
 
You wanted to use your hands. This is what you get: a burnt fingertip from believing the thick taupe suede to be a solid thing, just because your tongue was fooled into longing for something it would have had anyway, given one teaspoon of restraint.
 
Nothing you buy from the store will be half as good as even your most mediocre effort. This is what you know to be true, even if the sequined and tiara-studded confections behind the glass case whisper their siren song. Keep stirring.
 
Do not check the recipe again or grab ice for your blister. You know the steps by heart. You know the hard-ball stage cannot be rushed and will never be passed – never, because the kitchen clock always moves as if treacle has gummed the gears. Turn down the flame. You should not be able to hear it roar. The only sound that will come is the low moan of the air making its sluggish escape from the candy as it roils. Keep the spoon moving.
 
The recipe card is written in your grandmother’s script. Shaky, even then. What a thing, her hand: here and also not. Perhaps alive somewhere, in its way, because of microbes and the relentless pull of decay and rebirth everywhere, even in that crimson box they lowered into an Oklahoma hilltop a decade ago. A decade!
 
This, too: she, alive and also not. The jagged flourish of her script is frozen in motion all the way onto the next line. The 3×5 card is yellowing and blotched with boiled fat, caramelized Karo, and something hard. Another dish, maybe? This recipe, caught in the holiday crossfire. Cornbread stuffing, perhaps, or the clove and orange peel glistening on the crusted pink hide of the sacrificial ham.
 
She did not stop until her heart did. But which was she? The heart? Or the girl whose powdered cheeks betrayed a heady blush as the boy whirled her across the dance floor? She kept her hands so pliable, the old lady skin as delicate as honeysuckle petals and just as fragrant. How she managed this is one of life’s great mysteries. She stood over boiling sugars and popping Crisco. She took up the catfish who’d been, just that morning, blissfully sucking mud at the bottom of Murray lake, and dragged the poor fellow through bread crumbs and egg before releasing him to his oily fate. She donned the apron and held at least one corner of that restaurant’s kitchen on the hollow bones of her narrow scapulae.
 
Even so, nothing caved in. No part of her contracted into hardness. The blisters didn’t callous and the wounds of her unplanned servitude never thickened into scars.
 
When she was in her final year and no longer venturing near the stove, she asked me to rub her hands. Beneath that most delicate tissue purpled like Monet’s garden were thick, arthritic roots delving down to the springs below, blocking the way. She ached all over. “Oh, sugar, it hurts something awful.” She had spent a lifetime trying to restrain the tears ducking just behind her voice. She’d spent that same lifetime failing.
 
I took her hand and pressed into the tender meat between the thumb and forefinger, holding back my full strength because by then, she was made of air and moonless night. Her marrow had long since leached out into the prairie grass for the copper cattle and oil rigs to pull back up when the time is right.
 
Those last years, she was draining away but age had not taken her best self, only the extra, the unneeded weight, the constraining thoughts. The only things left were softness and pain. Also those relentless tears. Also the bottomless hunger for touch.
 
They say that if luck favors us (or scorns us, as the case may be) with a long enough life, each of us returns to infancy.
 
With my fingers, I drained what I could of the useless strength in her hands. What was the use of muscle and its dedicated ache? What did she need with holding? I had taken up her place at the stove, the ink, as the bearer of a name on my own more robust shoulder blades. My only job was to help guide her back gently to the womb of a woman waiting on a hill in the morning sun. That matriarch had herself returned to forgiving clay. At last, the serrated edges were worn from her mother’s tongue.
 
In the trunk I hauled from the foot of my grandmother’s bed into my own home 1500 miles away, I find the gloves she had worn in an earlier life. The embroidered delicacies are white kid and cotton, hand stitched and studded with graying rhinestones. Also from that steamer trunk rises a gust of the same aging honeysuckle that clung to her and forever softened her.
 
This was her secret? Something so simple? The gloves do not fit over my swollen knuckles. Thick digits already leathered in the first third of my time on this planet strain at the seams (though I do try to force myself into that silken sheath. Who wouldn’t?) I put them away for a keepsake since they will never grow to envelop me nor will I, God willing, ever shrink sufficiently to squeeze in.
 
I close the trunk and wonder if her determination to stay soft was the toughest part of her. Her man may have cornered her in that crucible in the back of the restaurant. Necessity may have demanded she plunge her hands into whole chickens and dice bushels of yellow onions for the soup. She may not have had any real choice but to stir and stir those cauldrons of beef and butter beans for paying customers. Kids and mortgages greeted the young, bewildered families at the end of the war. And maybe it was impossible to buck a man built of the same stuff of stud bulls and dust bowl hickories.
 
Maybe all of this is true.
 
Also, she chose.
 
Do not be fooled: selecting from among just one option is its own act of defiance. Submission is never truly complete as long as the one doing it decides to submit. Somewhere down below even the most bending grass is one deep root that cannot be split, not even with the sharpest spade.
 
And so she stayed. With him, she stayed:
 
Soft, the most tender, and forever threatening to tremble into a watery mess. She stayed:
 
Alive ten years beyond him, then a few more. She was the one whose hands rested in the warm grip of her grown sons and granddaughters during her final months. It was her timeline that claimed a stretch in which the tears could come without reprimand. She let them come and found, to no one’s surprise but her own, that on the other side of pain, when someone finally rubs it free, all that’s left is a heap of stupid giggles, memories of first kisses and big-eared boys, and a craving for the caramels made in the cluttered kitchens of the women who taught us to keep stirring.
 

Choices, Poetry

The Cat Came Back

The first mistake was the one you made.
The second was thinking it had
forgotten you. What will the third be?
Do you let it climb naked
onto your back and ride
you like a name?
Do you give it tea, your ear, a year
or three to chatter itself empty?
Do you build Hadrian’s wall
and repel any breach?
Do you involve the police?
Maybe you rest your arm
across its bristling shoulders and say
Thank you
but I’ve got this
now.

Choices, Growing Up

Fill in the Blank

Language is courage: the ability to conceive a thought, to speak it, and by doing so to make it true.

– Salman Rushdie, The Satanic Verses

Is silence, by definition, cowardice?
 
Impossible. There is no silence in silence, after all. Language is always there, elbowing and grunting its way through the heady determination shut up I’m trying to be quiet of quiet. Thought is all voice. But without throat and tongue to give it an address, where does it land? On the page, perhaps. In the letter she writes with the pen squeezed in her fist but never sends. In the steel echo of a John Lee Hooker song bouncing off the walls of his skull. In the clanging, fists-swinging noise of ideas backed against the ropes. One thought after another dripping sweat, conceived and voiced in some halfway-way.
 
Courage? Certainly not. But neither is the nascent thesis cowardice. It is something between. Suspension, perhaps. A pause in the action.
 
Truth needs a shape, though, yes? One can’t just hesitate forever.
 
She sits across from him, across and far and maybe nowhere near him. The silence is every possible word pushing against the roof of her mouth. Finally, she speaks. “I don’t understand you. You make no sense to me.”
 
He recoils from her and says, “There is something wrong with you.”
 
Every other thing, not spoken. Every other statement about everything also right exactly here, unchosen. Every other truth, from the draping leaves of the ceiling-high houseplant to the taste of sourdough still clinging to their fingers. Every other possible scaffolding on which they could build some structure to hold is left there in a heap. Rebar cascades away in waves. It washes offshore when the tide comes in. It drifts to the bottom of the sea.
 
She says, “I need to catch my breath.”
 
He says, “Goodbye.”
 
Language is multiple choice without an “all of the above.” Choosing a word, even if it is only one, is courage. Even if it is the wrong one. Maybe especially then.
 

Choices, Outdoors

Found and Lost

In the dream, I leave Bug in the hands of a busy child care center in the city and head out for an afternoon walk. The water is close. Just a few bold steps off the unmarked edge of a road carry me down to a quiet beginning.
 
A river snakes along sand and volcanic stone. As I stroll along it, the buildings disappear behind me. Soon, the path opens out onto breeze-rippled silence. The sun is bright enough to blind me and I have to pull my narrow-brimmed hat low over my eyes. I pause and take in the impossible pitch of the rimed stone jutting up from the surface of the confluence. Is it ocean or river, this aquatic jewelbox? Sapphire and emerald stand shoulder-to shoulder with opal, all of it turning in luxurious circles under the glittering sun.
 
The riverbank calls me closer. I shed my shoes. The water is clear enough that I can peer down into the caverns below the rough stone. White sand is a warm powder massaging my soles. No one is anywhere. I want so badly to slide into the aquamarine shallows but I am alone and it could be dangerous. I do not recall where I am. Is this country home to alligators? Piranhas? No one would hear me call if a hidden barnacle sliced my skin.
 
Just on the other side of the large stone, a pool spills into the cool silver below. The bottom disappears into deepening dark. It could fall all the way to the center of the earth. It is not a swimming hole per se, yet it is wide enough for my body even with my arms outstretched. The hunger to immerse is powerful enough to make me quiver but caution stills my descent. It is better to be safe, yes?  I only have a few hours before I must return for my son. I settle for submerging my feet up to my ankles. The cool brine makes me shiver. I bend and splash it over my calves and shoulders. The sun is so very warm.
 
Footfalls behind me rend the silence. It is Tee. He is jogging, waving hello. His pink skin is flushed and he has that goofy grin on his face he so often wears. Hello! Hello!
 
I ask him why he is not with Bug. He tells me he stopped into the child care center for a visit but he decided to go for a run. It is my night with our son anyway. He has all the time in the world. Nearby, up a low slope of grass, the balconies of apartments overlook this riverside trail. Tee strips down naked and I remind him that people live close here. He seems surprised to find he might be exposed. He dons the shorts again but ties his shirt around his waist and makes as if to join me on my stroll.
 
I’d really rather walk alone.
 
He shrugs as I go ahead. Instead of turning back, though, he picks up the jog again and passes me. He plods on just in my line of sight along the soft and sandy path. My path. The waving reeds and sea-grass are obscured by his sunburned back. He is going in the direction of what I had thought to be my solitary exploration. Now I know I must really remember Bug because Tee will be too far ahead and cannot be relied upon to take him home if I lose my sense of direction.
 
The wild path is no longer wild, not with my ex pounding along it before me. I don’t want to share this with his noisy presence. I turn off and wind through the neighborhood there. It is a place with rental apartments, playgrounds, a crumbling community pool. The swimming families squeal and chatter. Women with thick thighs and thinning swimsuits snap at their children. There are so many girls. They tease in a screeching playfulness that shimmers with latent violence. The yellowish-blue does not look inviting at all. I walk on past feeling crowded, heavy, a little desperate.
 
When I find my way back to the water, the river has grown to a surging froth. It runs below a road bridge built high on concrete girders. A footpath descends a sharp cut of rickety stairs down to the place where a culvert spills foaming debris out into the current. There is no place to cross. I cannot make my way on foot up to the pounding, traffic-dense bridge, and anyway, it seems to go the wrong way. I have somehow come out on the side opposite where I need to be.
 
I am so confused. My wild place, that aquamarine pool and the waving sedge, has all given way to boat launches and drawbridges. Roaring vehicles tow rivercraft. There is nowhere to walk. I carry a small inflatable raft. It is red. It is tucked under my arm. It is too big to carry but too flimsy to use for crossing. I stand near the edge of the road where it falls into this sea. I look across the choppy black. It is far too wide for me.
 
Somewhere over there is the city I just left, my son, and the home I don’t yet know is my own. The place I need to be is there. This awareness is a knife in the gut. I feel miserably unsatisfied. For as long as I’ve been gone, I never took that quiet stroll on which I set out. I never did find out what grew along the edge of the wet lip of the bay. I wish now I had simply let myself in to that dangerous, lonely deep.
 
Had I called upon the years of swimming in mountain lakes and relied on my own strong arms to keep my head above water,  I could have immersed the whole sheath of my being in that jeweled and quiet embrace. If only I had trusted the body of this wet earth and this mighty self to hold me, I could have whetted my appetite for solitude.
 
Now, I have to ask for help.
 
A man hauling cables barks commands at drivers. I am quivering, on the verge of tears, but I do my best simply to state my need.
 
Can you help me get across? How does this all work?
 
He is brusque. All business. He points me to a dinghy. Another man clips my raft onto the bigger vessel. I pay six dollars and board. He whirs the motor and speeds across the water. None splashes on me now. It is an opaque and impossible substance. I do not look down. My eyes trace the smooth line out to the west or east, if only I knew. The open horizon has room enough but no map. I have no compass to carry me to it.
 
The emptiness recedes. It is so very far never to go.
 
The captain, if he can be called this, deposits me on the asphalt launch opposite along with the other passengers. I scrounge my raft from among the anonymous craft and make back towards the road. The city thrums in the distance. I am late. I have miles to retrace. My son is waiting.