Ignore if you must what bends in the flat beds along the stretch of highway spooling out ahead,
those crepe-skinned crones in sun hats you could almost mistake for scarecrows.
Do you pause to wonder how old ladies always end up in the garden?
Do you notice us at all?
Picture the vines creeping from his collar.
The stem snaking.
The petal pink and thick as a human ear unfurling from the place his cheek should be.
Pollen-pouched bees yellowing as they gather
what he was always bound to become.
What comes next.
This is our revenge.
Those of us he mounts to build the crystal barricade,
its pearled locks and curtains
thin as whispers and thick
as what stands between dimensions.
He designed it all to let in the curated glow
and keep out everything that makes the light.
Until her dying day, Georgia O’Keefe fought against the notion
that her flowers resemble sexy ladyparts. Too silly. Titillating.
Low art.
Diminishing that lovely stroke to the hungry scratchings of a beast in heat.
Vulgar. Raw.